
ARTS 211 Drawing 1
As a high school senior, I enrolled in Advanced Placement (AP) Art: Drawing and devoted that year to applying principles of design to a wide-ranging portfolio of mixed-media creations. In a year brought short by COVID-19 , I submitted the portfolio and earned a "very well-qualified" score. Here follows selections from that year of exploration and refinement.

Fall Fades, watercolor and colored pencil
Note: For the 2019-2020 school year, CollegeBoard, the organization that administers the Advanced Placement (AP) Program, debuted a major revision of their AP Art Portfolio Requirements. For this reason, the requirements and expectations for AP Drawing differ significantly from the AP 2D Design portfolio rubric employed in 2018-2019 (see ARTS 113: Introduction to 2D Design) and explains differences noted between them.
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The focus of the AP Drawing portfolio included here explores "the use of mark-making, line, surface, space, light and shade, and composition through a sustained investigation of materials, process, and ideas through practice, experimentation, and revision." The portfolio required 15 digital images, however, this condition was decreased to 9 in response to the 2020 COVID-19 lockdown. Additional documentation explained the processs, responded to prompts, provided information about each subject to provide information about the subject and how each piece guided my exploration of advanced drawing techniques.
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A key question I sought to answer through my investigation was: What if it was real? "It" refers to an imaginary land called Rhykör which serves as the setting for my oldest brother's latest writing endeavor. Through this sustained investigation, I sought to explore the multifaceted features of this fictional world. From landscapes and buildings to people and creatures, I concluded that reality is sometimes in the eye of the beholder.

Molten Sea, acrylic pour

Fjördall, acrylic pour

Darkness Within, pen & ink and colored pencil

Time in My Hands, charcoal

Carthein, graphite​

Tower, acrylics

Lake House, watercolor

Spine of the World, pen & ink and colored pencil on coffee-stained paper

Tail of Two Cities, alcohol ink and pen & ink

Rhykör, pen & ink on coffee-stained paper